This 3-disc DVD set is packed with some of my best writing tips on how to be a successful author. The three workshops cover: ”How to Get Started and Finish”, “Craft of Writing”, and “Marketing” your writing. I’ll show you how to boost your career as a writer!

But first, here’s what students of “The Writer’s Toolkit” said:

“I felt inspired to look at my writing again…I found my ideas unlocked, problem areas exposed and strengths endorsed.”–Jane Morrell

“Nina was very relaxed, informal, very knowledgeable and interesting…She gave a lively presentation and gave lots of examples to relate to.”—Lauren Seaton

“Nina encouraged me to actually start my novel. She is very good, easy to understand.”—Patricia Slauenwhite

“Nina was engaging and inspiring… I was able to use specifics that were discussed to  improve my writing immediately.”—Susie Buck

“I found what I had been searching for a long time.”—Candice Croft

“What you’ve done for me, Nina, is you’ve just opened up a whole new world. You’ve shown me how to put soul into my books … You’ve transformed me from what I considered an oddball to somebody special and for that it’s worth a fortune.”–Hectorine Roy

As a special bonus for a limited time only, I’m including my popular guidebook, The Fiction Writer: Get Published, Write Now! All for the price of just $195.00. The DVD set normally retails for $250.00 and the book retails for $27.95. So, you’re getting a great deal!

My writing guide The Fiction Writer: Get Published, Write Now! provides the basis for my workshops and contains a lot of useful information to you. It’s a great companion reference to the DVDs.  For instance, you can go to the workshops for an easy-going listen to the “skinny” on all aspects of writing then refer to the book for specific details, examples, exercises and further references on areas you need to get more detail or practice on. The book also includes an index and bibliography at the end for easy reference. It’s written in an easy to read conversational style and packed, like the workshops, with real examples.

The guide is popular with college and university instructors of creative writing and English, and thoroughly enjoyed by students of writing and professional writers, alike.

“The Fiction Writer is at the top of the required reading list for my students…A veritable cornucopia of hands-0n help for aspiring writers of any age…The quintessential guidebook for the soon-to-be-published.”–Susan H. McLemore, Language Arts Instructor, Glynn Academy

“Nina’s ability to take arid academic prose and make it interesting to students is actually rather remarkable. I have been regularly using material she created for helping my students understand the hero’s journey in literature – the students find her writing engaging, accessible, and (and this is important) easily applicable not only to their readings but to their essays as well. Brava, Nina, brava.”–David Merchant, English Instructor, Louisiana Tech University

I wish you a fulfilling and fruitful career writing and publishing your works. It’s quite a journey. I hope you enjoy every step of it.

All the best.

Sincerely,

Nina Munteanu, M.Sc., R,.P. Bio.

Acclaimed author, scientist and writing coach

I often get asked how and where I draw my inspiration from. How do I find my muse? And how do I keep it? (i.e.,, how do I defeat “writer’s block”?).

The Muses, in Greek mythology, are a sisterhood of goddesses or spirits who embody the arts and inspire the creation process with their graces through remembered and improvised song and stage, writing, traditional music and dance. The Muses are water nymphs associated with the springs of Helicon and with Pieris (from which they are sometimes called the Pierides). According to Hesiod’s Theogony (7th century BC), they are the daughters of Zeus (king of the gods) and Mnemosyne (goddess of memory).

So, I’d like to share what I’ve learned over the years (some of the very same comments that have been made of my work, I am sharing back with you). I’ll be providing you my advice in three parts: 1) characters; 2) language; and 3) structure.

Let’s start with characters, since they are in my opinion, the most important part of a novel:

Characters carry the theme of the book. Each character needs to have a role in advancing the plot and/or theme; each character needs a reason to be there. A character therefore needs to be distinctive and usually shows some character development (as story arc) from beginning to end of story. Your characters are the most important part of your book (more so than the plot or premise). Through them your book lives and breathes. Through them your premise, your plot (which is essentially just a way to create problems for your characters to live out their development) and story come alive. Through them you achieve empathy and commitment from the reader and his/her willingness to keep reading to find out what’s going to happen next: if the reader doesn’t invest in the characters, they won’t really care what happens next.

Characters need to be real. They come to life by giving them individual traits and real weaknesses and heroic qualities that are consistent and have qualities readers can recognize and empathize with. You play these against each other to achieve drama. For instance, a man who is afraid of heights but who must climb a mountain to save his love is far more compelling than one who is not; a military man who fears responsibility but must lead his team into battle; a scientist who is afraid of failure; etc.

Characters of beginning writers often suffer from lack of distinction, or purpose, and often simply clutter up a story. For a character to “come alive” their “voice” must be distinctive, unique. Give them distinctive body movements, dress, facial features and expressions that reveal character, inner feelings, emotions, fears, motivations, etc. Then keep them consistent. There are several techniques writers use to increase empathy for a character and distinctiveness. This includes use of third person POV, keeping the story with focus on fewer rather than many characters, creating character dossiers and keeping them consistent, providing each character a distinctive “voice” (figuratively), as in how they behave, say, react, etc. I’ll talk about these further down. Another way to make your characters distinct (and works to also tie into plot and theme) is to make your characters not get along. Make them argue, disagree (at least!), have suspicions, betray one another, laugh and ridicule, etc. By doing this you increase tension, conflict (two things every book requires) and you enlighten the reader into each of the characters involved. Make them fight or argue over what they believe in – or not. You need to describe your characters in effective brief but vivid language as the reader encounters them.

Here are some questions you need to ask about your characters:

1. if I can remove the character, will the book fall apart? (if not, you don’t need that character; they aren’t fulfilling a role in the book);

2. how does the character portray the major or minor theme of the book? (that’s what characters are there for)

3. what is the role of the character? (e.g., protagonist, antagonist, mentor, catalyst, etc.)

4. what is the story arc of the character? Does he or she develop, change, do they learn something by the end? If not, they will be two-dimensional and less interesting

5. what major obstacle(s) must the character overcome?

6. who are your major protagonist(s) (the main character who changes the most)?

7. who are your major antagonist(s) (those who provide trouble for your protagonists, the source of conflict, tension, the obstacle: one of their own?

8. what’s at stake: for the world (plot); for each individual (Theme) and how do these tie together? Every character has a role to fulfill in the plot and to other characters. Don’t be afraid to totally remove characters if they do not fulfill a role.

To summarize, each character is there for a purpose and this needs to be made apparent to the reader (intuitively through characterization, their failings, weaknesses, etc.). Make them bleed, hurt, cry, feel. This needs to be clear to the reader, who wants to empathize with some of them and hate others. How characters interact with their surroundings and each other creates tension, a key element to good storytelling. Tension, of course builds further with the additional conflict of protagonist with antagonists. But, in truth, it’s more fun to read about the tension from WITHIN a group that’s supposed to be together. Think of Harry Potter and what was juicy there… It wasn’t really Voldemort … it was what went on at Hogwarts between Harry and his friends and not-so-friends. That is what makes a story memorable; that is what makes a story something you can’t put down until you’ve finished it.

This is an adapted excerpt from The Alien’s Practical Guide to Cool Writing(Pixl Press), available through this site or through www.pixlpresscanada.com.

To be continued…

Nina Munteanu

“Discover the Writing Magic…where passion and skill collide. During my live coaching programs I was overwhelmed by the number of people seeking guidance on getting their own books published.  I’ve created a coaching and training program designed specifically for people who are serious about becoming “published authors”—Nina Munteanu, author of The Fiction Writer

Email Nina at thepassionatewriter@gmail.com or nina.sfgirl@gmail.com (subject: coaching) to book a personal coaching session or group workshop. Coaching may include:

• manuscript readings, editing and consultations
• language and grammar
• storyboarding and idea generation
• focus issuees and writer’s block
• synopsis and query letters
• marketing
• promotion

Workshops have successfully included “hotseat” panels and “hotseat” manuscript assessment/critique.  

To receive Nina’s informative NEWSLETTER (packed with writing advice from her many consultations) and to browse through awesome writer’s resources, be sure to sign up for her free coaching club. Praise for her coaching and workshops continues:

“Nina was warm and encouraging.  I felt free to share my fears and ask questions that exposed my ignorance.  She was extremely knowledgeable and gracious and honest…  I felt as though she really wanted me to succeed as a writer, and was a mentor sent to provide guidance and inspiration.”— Zoe M. Hicks, author of The Women’s Estate Planning Guide and Dream Catcher, the Power of Faith

“Nina shares her expertise with endless enthusiasm.  I always go away with double the energy than when I came!”—Krista Fogel, coordinator of Calliope Network, UBC

“As a hopeful author, I found Nina’s words inspiring. I thank Nina for sharing her acquired knowledge.”—Amanda Lott, writing student, Scribblers Writers’ Retreat, GA